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An intimate, introspective work with
great opportunity for expressive playing by the cellist.
Composed in 1986.
The composer writes:
"I conceived of Soliloquy's
opening theme one evening toward the end of a stay
at the MacDowell Colony. I was there in winter, working
on an austere, eerie piece about archeological ruins.
The lush, euphonious intervals of Soliloquy's opening
were a beautiful contrast to the bleak sounds of the
other work. The music passes through many different
moods and textures in the short piece. The harmony
remains dominated by 6ths and 3rds.
"Sometimes, I think the piece
belongs in a suite, in the tradition of Bach. But
the piece is more like a fantasia, where the cellist
plays fragments from a suite, half remembered."
Duration 5 minutes
Get the CD! Noises,
Sounds and Strange Airs includes Soliloquy, performed
by Emmanuel Feldman.
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